The idea of the medal animation was the 20th anniversary of the Poznań Marathon. The small elements and particles that make up the medal symbolize each year of the marathon and each runner. The medal's lanyard is printed with historical photos from all Poznan marathon editions arranged in chronological order and has a quote "I left footprint in Poznan". The reverse of the medal is dedicated to Maciej Frankiewicz, the president of the City of Poznan, who is the creator and patron of the Poznan Marathon.
The project was a journey to explore the Escape issues (theme for 2019) abstractly and fluidly, showing the changes, new things and consequences from that. All the visuals are clean and comfortable to watch, contrasting with the uncomfortable reality from the act of escape. The design is constantly changing and the morphing shapes in the animation represent the act of readaptation, caused by some sort of situation. Escape has different meanings, interpretations and the point of view varies from playful to serious.
I was in charge of the re-design of the main title sequence for Mac Gyver Season 4. In order to bring this sequence to the next level. We had to re-think the sequence from scratch. We decided to create a sequence in one long shot generated in 3D. The idea is to bring the viewer into Mac Gyver's unique creative process. It's a journey into Mac Gyver's mind.
With Absinthe, Vivian had a chance to explore potential visuals that merge physics and scenography. This play explores topics on physics, matter and psychology. The the main beauty of the design is the limitless interpretation of the set according to the audience's understanding of the play, the oval stage represents time, but can be seen as the milky way, Möbius band etc. To enhance the whole theatrical experience, she introduced technology of laser light sound visualizer as a method to allow sound to be seen, laser lights were distorted based on the frequency of spoken sound by the actors.
Themed as explore the light this year, Macao tourism mascot mak mak will join local and visiting spectators to explore four glittery routes and Macao’s evolving cityscape over the last two decades through different angles in the art of light. The adventure will be reminiscent of stories and memories belonging to the people of Macao, and evoke the joy brought by celebrations of the 20th anniversary of the establishment of the Macao sar.
This armor was conceived for a modern version of a classic Shakespeare. Made it with fully recycled materials, mixes metallic corset nerves with leather leggings overlapping layers denoting the various faces assumed by Richard III during the theater play. From a modernist vision in terms of fabric and materials to traditional use of technique and structure, the piece remains the soul of an antique armor. It reflects the vulnerability of the King and the man who coexists inside the character, the world of specters, deaths, and feelings surrounding his life.
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